Actor and Illusionist Eric Lidsay Dies at 91

Eric Lindsay

1929-2021

The actor and illusionist Eric Lindsay peacefully passed away at midday on Friday, June 18 at the Royal Free Hospital in London after a short illness. He was 91. Eric had the distinction of being the last actor to play Renfield opposite Bela Lugosi when they toured the UK in a revival tour of Dracula from from April 30 – October 13, 1951.

Born within the sound of Bow Bells in London’s City Road Hospital on November 13th, 1929, Eric discovered that he had the theatre in his blood at an early age. Making his first tentative steps onto the stage in a Salvation Army production of Aida while still a schoolboy, Eric went onto enjoy a long and varied career in the entertainment industry.

At the height of the Blitz during the Second World War, Eric Joined the Angel Players at the age of 12 before being accepted at the Marion Ross Drama School. He made his professional debut at the age of 17 as Octavious in The Barretts of Wimpole Street with the Barnstable Repertory Company in Devon. In 1949, he got his first big break when he played opposite Ruth Dunning as Dude in the West End production of Tobacco Road. During the play’s run at the Playhouse Theatre, Eric caught the eye of French director Henri Marchal, who invited him to France, where he appeared in the kitchen sink drama Metro Pigalle. On his return to England, Eric found that far from enhancing his reputation, his year in France merely meant that he had lost ground through his absence from the English stage.

Eric and Ruth Dunning in the West End production of Tobacco Road

In 1951, he won the role of Renfield in Dracula. With the prospect of a West End run with a Hollywood star, it seemed the ideal vehicle to get his career back on track. When I interviewed in 1997, he described the part as “the best role apart from his (Lugosi’s) in the play. It was a gift, because although the roles of Dracula and Renfield are the smallest in the play, whenever we were not on stage they are talking about us.” Throughout the tour, Eric’s performance drew an enthusiastic response from audiences and praise from critics across the country. Of Bela Lugosi, he said, “The man was a star. He was a gentleman in every way. He was great and very funny. He was generous in all ways.”

Eric as Renfield and Arthur Hosking as Van Helsing in Dracula

Through a combination of bad luck and under financing, the production never made it to the West End. It toured the provinces for six months waiting for an opening in a West End theatre, but the rigours of life on the road and twice-daily performances took a heavy toll upon the 68-year-old Bela Lugosi. Exhausted, he told producer John C. Mather, “John, I can’t go on, it’s taking too much out of me. Please finish it quickly.” With his irreplaceable star unable to continue, Mather brought the tour to an end. After a few weeks recuperation, Lugosi filmed the horror spoof Mother Riley Meets the Vampire before returning to America. As for Eric, it was back to the typical life of a jobbing actor. Periods of work were punctuated by non-theatrical jobs to make ends meet while trying to secure a new role. While “resting”, Eric filled in as a salesman for non-slip floor polish at the Ideal Home Exhibition and a ladies hairdresser. His dream had been to break into films, but with little prospect of making progress, he decided to use the money he had earned from Dracula on a new venture.

With his partner, the theatre and film actor Ray Jackson, Eric decided to invest in on the 1950s coffee bar boom. The couple opened the Heaven and Hell coffee bar next door to the famous 2I’s coffee bar in Old Compton Street in the Soho area of London. The 2I’s featured live music in the basement and was a training ground for future successful British skiffle and rock ‘n’ roll musicians. Heaven and Hell had a Heaven theme on the ground floor and a Hell theme in the basement. Despite the success of Heaven and Hell and a second coffee bar called The Regency Coffee Bar, Eric continued acting on stage and television. In 1956, he played Antoine in the Antoine and Antoinette episode of The Adventures of the Scarlet Pimpernel, a television series starring Marius Goring in the title role.

Eric in The Adventures of the Scarlet Pimpernel

In 1958, Eric and Ray took advantage of a new law which allowed striptease to be performed in private members clubs. They opened the Casino de Paris at 5-7 Denman Street, Piccadilly Circus. W.1, one of London’s first strip clubs. The club was a sensational success, prompting Eric to retire from acting to devote himself full-time to the club’s management. When the lease on the building which housed the club expired in 1977, Eric decided that it was time to embark upon the next stage next stage in his colourful career.

During the Dracula tour, Bela Lugosi had told Eric that he had “the eyes of a magician.” Lugosi’s words proved to be prophetic. The shows at the Casino De Paris had often featured magicians, including the first nude male magician, Malcolm Vadell. It was at this time that Eric met the celebrated magician Robert Harbin. Under his guidance, Eric bid farewell to the Casino de Paris and began a career as an illusionist. Under the name of Zee and Co., Eric enjoyed great success in the UK, both on the stage and TV, and in Las Vegas. Eric’s act featured Scorpio, a leopard which he and Ray had raised from a two-week-old cub after it was abandoned by its mother. The magic circle described Zee and Co. as the greatest illusion show in the UK. After appearing at the London Palladium, Eric took the act to America in 1982. He performed at the Sheraton Bal Harbour Hotel in Miami for 6 months, Las Vegas, where he rented Juliet Prowse’s house for a year, and the Reno Hilton as Entertainer of the Month.  The Miami Sun-Tattler reported that he was “as impressive as his American, David Copperfield and Doug Henning.” After America, he toured Europe.

Eric as Zee

While starring in review built around Zee and Co. at the Scala Melia Castilla in Madrid, Eric and Ray decided to move permanently to Spain and build their own villa in Marbella for themselves and their parents. By the time that the lengthy construction was finished, a series of tragedies had change the course of Eric’s life. Both his and Ray’s parents died and on October 25th, 1989, Ray himself died prematurely at the age of 58. While living alone, depressed and drinking heavily, in the large empty villa, one final tragedy unfolded. On October 18th,1991, Scorpio the leopard attacked Eric, seriously damaging his neck and had to be put down. Eric blamed himself. He could no longer live with his memories in Spain and moved back to London, where I met him in 1997 to interview him for Vampire Over London: Bela Lugosi in Britain. As for his career as an illusionist, Eric said, “After Ray died I never really properly worked again. It was as though all my amazing luck had gone.”

Eric eventually retired to Thailand. During this time he began a popular blog, which recounted the many adventures of his colourful life and indulged in his love of travel. He occasionally emerged from retirement to perform again as Zee and Co. His last public engagement was in a command performance for the Sultan of Dubai in 2001.

I last met Eric when he dropped into Tokyo and spent a few days with my family in 2011. Three years ago, he returned to the UK and spent his contented final years living at the historic Charterhouse in London. Although a very sprightly and active nonagenarian, his penchant for travel was checked by the coronavirus pandemic, which resulted in him spending most of his last year in reflection and corresponding with his many friends around the globe.

It would take the average person several lifetimes to pack in the adventures and achievements which Eric chalked up during the course of his remarkable life. But despite all of that, Eric’s greatest achievement was to simply be a wonderful human being. He enriched the lives of so many people, mine included, earning in return their fierce, undying loyalty. He will be truly missed by all who were lucky enough to have known him. (Andi Brooks)

Related articles

From A To Zee: Eric Lindsay, Bela Lugosi’s Last Renfield, Interviewed by Andi Brooks

1951 British Dracula Tour – Newspaper Articles And Memorabilia

1951 British Dracula Tour – Exclusive Interviews With The Cast & Company

“Vampire Over London: Bela Lugosi in Britain” New Expanded Second Edition

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A new expanded 2nd edition of Vampire Over London: Bela Lugosi in Britain by Frank J. Dello Stritto and Andi Brooks has been published by Cult Movies Press. Originally published in 2000, the critically acclaimed biography of Bela Lugosi was the product of over a decade of extensive research by the authors and was the first book to study a particular, and neglected, period of Bela Lugosi’s life and work.

The book traces Lugosi’s final tour of Dracula in Britain in 1951. Shrouded in mystery for half a century, what little had been known about the tour and Lugosi’s time in Britain had been clouded by oft-repeated inaccurate accounts. Dello Stritto and Brooks unearthed many previously unknown facts to tell the full and true story for the first time. In the days before the now ubiquitous Internet made such a task relatively simple, the authors traced and interviewed Lugosi’s co-workers, most of whom had never spoken publicly about their time with him, located scores of people across Britain who saw Lugosi perform in Dracula, and gathered material from archives and individuals across the United Kingdom, Europe, Australia, America, and Canada. The product of their research was the compelling tale of a fading Hollywood legend’s last stab at greatness, and of forgotten triumphs.

While Dracula made Bela Lugosi world famous, it forever trapped him in monster & mad doctor roles. In the heyday of Hollywood horror, he reigned as a star, but when horror fell out of fashion, he scarcely worked at all. Late in life, with few job prospects in Hollywood or New York, he searched for one last comeback. In 1951, the 68-year old Lugosi and his wife Lillian staked their fortunes on the stage tour of Dracula in Britain, a project which had almost taken place in 1948 (Bela Lugosi Unrealised Projects). They hoped to take Dracula to London’s West End and reproduce his original success on Broadway in 1927. For six months and in more than 200 performances, Lugosi thrilled audiences in the provinces. The gruelling trek of one week engagements, often with twice-nightly performances, across England, Scotland and Northern Ireland, however, broke his stamina. The West End never beckoned and the tour was ended when Lugosi told producer John Chartres Mather that he could not continue. Lugosi filmed the comedy Mother Riley Meets the Vampire before leaving Britain. Contrary to popular myth, Mother Riley Meets the Vampire was not hastily arranged to help an unpaid and stranded Lugosi buy passage for himself and his wife back to America. The film had been arranged several months before the tour ended. As he sailed back to America, his spirits buoyed by the prospect of being reunited with his son, Lugosi was not to know that he had played his signature role in the famous vampire play for the last time, and that the final comeback which he so desperately desired would never materialized. His months in Britain were soon forgotten, even by his most ardent fans.

Vampire Over London: Bela Lugosi in Britain also tells the behind-the-scenes stories of Lugosi’s three British films,  Mystery of the Mary Celeste (1935), Dark Eyes of London (1939), and Mother Riley Meets The Vampire (1952), for which Dello Stritto and Brook interviewed cast and crew members. The making of these films is intertwined with the controversy in Britain over American horror films, a battle between censors and producers that almost ruined Lugosi’s career.

V.O.L. DUSK JACKET 4.23.15With the first edition described as “exhaustive” and “definitive”, I asked Andi Brooks why he and Frank Dello Stritto decided to write a new edition. “Our interest in Bela Lugosi’s time in Britain didn’t end with the publication of the first edition. We have continued researching it ever since. When we conducted our original research the Internet was in its infancy. We did everything the old-fashioned way – letters, telephone calls and literally knocking on people’s doors. We covered as much ground as we could, which took a lot of time and money, but it was impossible to find every piece of information and to trace every person we wanted to speak to. Now it’s a completely different world. There is so much information available online now which wasn’t accessible back then. Of course, although it may at times seem as if the sum of human knowledge is just a keystroke away, a lot of traditional footwork and plain good luck are still needed. The Internet has also allowed us to connect with other researchers and fans who have generously shared their knowledge and allowed us to delve into their collections. Frank and I also had another reason for wanting to produce a second edition. Although we were very flattered by the praise which the original edition of Vampire Over London received, we simply weren’t satisfied with it. The amount of new material we had collected since 2000, and the fact that we were still receiving requests for the book long after it had sold out, gave us the opportunity to revisit the project and produce a new edition which we feel is superior to the original.”

Vampire Over London 2nd Edition

The expanded and updated second edition of Vampire Over London: Bela Lugosi in Britain can be ordered for $30 plus $3.99 shipping from Cult Movies Press at http://www.cultmoviespress.com (International shipping rates are available upon request). It is also available at Amazon International http://amzn.com/0970426933 and Amazon UK http://www.amazon.co.uk/dp/0970426933

To obtain a discount on your order, contact Frank Dello Stritto directly at fdellostritto@hotmail.com

Bat Head 3 Reviews for the first edition

“Vampire Over London, which is beautifully produced and of a quality we seldom see today, is a model of documentation and informed and entertaining writing. I was so fascinated by it that I gave up virtually an entire weekend to read it. I cannot claim to be a big fan of Bela Lugosi, but the authors’ enthusiasm, clarity and intelligence were such that I was mesmerized as much as any of Dracula’s victims. A magnificent book.”– Anthony Slide, Classic Images

“In this impressively researched book the authors’ combined sense of detail is remarkable…Dello Stritto and Brooks cover the six months of the touring company with three-dimensional clarity…you can almost smell the cigars Lugosi smoked while standing in the wings.”– Tim Lucas, Video Watchdog

“Just when you thought everything that could possibly be written about the classic horror stars had already seen print, along comes the fascinating Vampire Over London. It’s an admirable book, written by that rare breed – film historians who actually know how to write…it’s essential.”- Richard Valley, Scarlet Street

“This tremendous new volume manages to offer a wealth of new information! A must for Lugosi fanatics…the authors have done their research on this subject, and the result is the final word on this portion of Lugosi’s life…It’s a humorous, informative and often touching tribute to a little known slice of Bela’s life.”- Shock Cinema

“Genre cinema historians Frank Dello Stritto and Andi Brooks perform an invaluable service for Bela Buffs. Their painstakingly researched tome is a book no self-respecting Lugosi lover can afford to be without.” – The Phantom, Videoscope

“An indispensable tome…exhaustive…Physically, the book is as impressive as the research and writing…will quickly become a collector’s item.” – Tom Weaver, Fangoria

“…a remarkable book…a carefully researched work of scholarship with a concern for accuracy usually reserved for much weightier subjects.” –  Henry Nicolella, Castle of Frankenstein

“A superb piece of literature! I think Bela must be resting in peace at long last in his satin-lined coffin.” – John C. Mather, Co-Producer of the 1951 British Dracula tour

“A really splendid piece of research, it has to be definitive.” – Richard Eastham, Director of the 1951 British Dracula tour

“It is a wonderful epitaph for a very special person.” – Richard Butler, 1951 British Dracula tour cast member

“If you’re a Lugosi fan, the book is an essential…it also serves as an excellent history of an era of British stage history that simply doesn’t exist anymore..If you possess the first edition you are a fortunate person, but you are even more fortunate if you have both editions.” – Doug Gibson, Standard Examiner

For those who love Bela Lugosi (1882-1956) or Dracula, and you know who you are, this book is essential…Dello Stritto and Brooks do not drown in their own research. They are scintillating raconteurs, and this 300+ page book moves along as breezily as a fascinating dinner conversation…This is a terrific book, not to be missed.” – James Abbott, The Jade Sphinx

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 Related Pages

Bela Lugosi, A Generous Star – An extract from the 2nd edition of Vampire Over London: Bela Lugosi in Britain

1951 British Dracula Tour – Exclusive Interviews With The Cast & Company

1951 British Dracula Tour – Newspaper Articles And Memorabilia

Vampire Bats And Devil Girls From Mars: Dracula Producer John Chartres Mather Interviewed By Frank J. Dello Stritto.

“Child, never look into my eyes!” The Hypnotic Stare of Bela Lugosi

The Day I Met Bela Lugosi by Derek R. Pickering.

Knee-Deep in Ice Cream, Smoke & Wayward Rubber Bats: An Interview With Richard Butler by Andi Brooks

An Encounter With Bela Lugosi by Roy Tomlinson

When Bela Lugosi Came To Britain

When Dracula Invaded England